It has been a long time since we wanted to exploit on a large scale this wonderful ability of our stretch mesh to either be opaque or transparent depending the the glance or the light angles.

It is now done, and masterfully, thanks to the Stewart Museum, and the concept of the talented stage designer Anick La Bissonnière.

2 large 44 'x 8' stretch canvases in the front of the exhibition window displays.
At first glance, a large corridor that takes us through the 18th century buildings of Paris, but which unveils the  artifacts of the exhibition, as we walk.

A great success, a stunning visual effect, a great pride but also a beautiful exhibition not to be missed.